Every day, the Brazilian artist Taís Koshino takes a walk in her virtual garden.
She wanders an infinite white void, passing flowerlike blobs that hover in midair, each as vibrantly expressive as Matisse’s paper cutouts. Koshino’s garden is a 3D simulation called Jardim; since February, she’s logged in daily to tend to the shapes it contains, arranging and rearranging them like stones in a Japanese Zen garden.
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